Honesty is an Editor’s Best Policy

With the new Star Wars coming out next week, some friends and I decided to do a marathon. Starting with The Phantom Menace and ending with Return of the Jedi, we’ve been watching one movie per week until The Force Awakens.

 

We were all ecstatic when we completed the most difficult part of this marathon: the prequel trilogy. Phew! It was all downhill from there!

 

Watching those prequels got my husband and I to wondering, How? How in the world did those movies get made? How did those special effects pass for acceptable? Better yet, how did the scripts even make it through the editing process in the first place?

 

My husband had a great insight into the answer to these questions: The Star Wars prequels are simply a demonstration of what happens when nobody tells the writer, “No.”

 

Before The Phantom Menace, George Lucas could do no wrong in the eyes of many of his fans. (In hindsight, the rerelease of the original trilogy with “upgraded” special effects should’ve tipped us off.) People were actually excited for the new trilogy.

 

No one wanted to tell George Lucas he should hire someone else to write the romance between Padmé and Anakin. No one wanted to tell him he was going overboard with the special effects. No one wanted to tell him Jar Jar Binks was a terrible idea.

 

That is, until The Phantom Menace came out. Then, suddenly, they couldn’t wait to tear George Lucas to shreds. Even his most devout fans have lost faith in the once-great George Lucas, and they rejoice in the fact that he no longer has control over the franchise.

 

Of course, this (often not-so-constructive) criticism came far too late. As much as we would like to pretend they never happened at all, we must now live in a world in which the Star Wars prequel trilogy exists.

 

Therefore, the lesson to be learned from the catastrophe that is Episodes I, II, and III, is the extreme importance of editing and getting honest feedback before signing off on a completed work. Whether you’re a rookie author writing your first short story or a big time Hollywood director expanding your pet nerd-verse, you’re going to need to revise your drafts multiple times. Get over it.

 

So when your newest project is fresh off the printer, don’t rely on your best friend, significant other, or mother to give you constructive criticism. Get an unbiased opinion. Hire a professional editor (I’m available, btw) who won’t treat you like a diva. You don’t need to be babied – you need to become better at your artform.

 

Once you have that editor, don’t take their critiques personally. They’re not trying to hurt your feelings. They’re trying to strengthen your writing. Remember that when you’re mourning the Story That Was. Know when to keep your own voice, and when to make changes.

 

And for goodness sakes, know when to cut that annoying, racist, poorly-CGI’d character out of the story entirely!

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